We are happy to have read some nice words from various literary experts regarding our small Bikol anthology ‘Salugsog sa Sulog’. Here’s what they have to say:
An excerpt from Cirilo F. Bautista’s article on Salugsog sa Sulog in Philippine Panorama
BREAKING SIGNS
A workshop in Lipa and a Literary Folio from Naga
"…A day after this workshop we received a copy of Salugsog sa Sulog, a literary folio issued by OragonRepublic.Com of Naga City middle of this year. Edited by Jose Jason L. Chancoco, designed and published by Fer Basbas, and marketed by Shiela Basbas, it showcases in 63 pages some good examples of rawit-dawit, horop-horop, and literary criticism in contemporary Bicol writing.
As its publisher writes in the foreword, it is aimed to promote Bicol culture, especially the encouragement of the use of the Bicol language, "a language that is praised in linguistic circles for its beauty and other virtues." The folio has an attractive format and pleasing lay-out. The typography and illustrations are kind to the eyes. Most of the contributors are young but experienced, most of them having won national literary prizes and attended national writing workshops. They are Jerry Adrados, Bernard Miguel Aguay, Jr., Abdon M. Balde, Jr., Jaime Jesus Borlagdan, Nephtaly Joel Botor, Carlos Briones, Kristian Cordero, Estelito Jacob, Niño Manaog, Vic Nierva, Francisco Peñones, Jr., Ma. Francia Sales, Sonny Corpus Sendon, Jose Jason L. Chancoco, and Bert de los Martires."
–Cirilo F. Bautista
Philippine Panorama, November 13 2005.
An excerpt from Jose Dalisay’s column in the Arts and Design section of the Philippine Star:
Gregorio the Great
"Let me acknowledge receipt of a new publication from friends down in Bicol–the maiden issue of Salugsog sa Sulog, published by oragonrepublic.com, a group of young Bikol writers intent on reviving what until recently was a robust regional literature threatened with extinction by lack of publication venues. (Just to get this straight, "Bicol" refers to the region, and "Bikol" the language.
Edited by Jose Jason L. Chancoco, Salugsog is a slim but handsome volume that aims to fill that void. It’s too bad I can’t read Bikol (I’m Visayan), but I’ve been down there for several workshops and I know how talented and determined these writers are. I recognize the names of a couple of more established writers–Frank Penones and Jun Balde –but even better was the preponderance of new, young writers in the publication. All the best to you and your gang, Jason, and I hope you can keep this up!
–Jose Dalisay
Philippine Star, November 22, 2005.
Also we are happy to note that both our entries to the Premio Tomas Arejola para sa Literaturang Bikolnon made it to the Finals. Meaning, we will be attending its awarding on December 17 in Holy Rosary Minor Seminary here in Naga City. We will at least get a two Diplomas of Merit. If we get lucky and land on the top (which is quite hard a feat) we shall be getting an additional Premio Arejola medallion.
By the way, we got from the mail the following invitations:
Invitation to the Feminist Film Festival events at EDSA Shagrila; November 23-28, 2005
FILM SCHEDULE
Nov. 24 (Thursday)
1 p.m. :Say I Do (Canada/Philippines)
& Inang Bayan (Philippines)
4 p.m. :Iron Jawed Angels (U.S.A.)
7 p.m. :A Little Color (Switzerland)
9:30 p.m. : Phir Milenge (India)
Nov. 25 (Friday, FILIPINO DAY!)
1 p.m. :Ang Tanging Ina
4 p.m. :Minsa’y Isang Gamu-gamo
7 p.m. :Bata, Bata, Paano Ka Ginawa?
9:30 p.m. :Moral
Nov. 26 (Saturday)
1 p.m. :She Says: Women In News (U.S.A.)
4 p.m. :A Little Color (Switzerland)
7 p.m. :Te Doy Mis Ojos (Spain)
9:30 p.m. :The Road Home (China)
Nov. 27 (Sunday)
1 p.m. :Everybody Loves Alice (Sweden)
4 p.m. :Say I Do (Canada/Philippines)
& Inang Bayan (Philippines)
7 p.m. :Baran (Iran)
9:30 p.m. : Iron Jawed Angels (U.S.A.)
Nov. 28 (Monday)
1 p.m. :Dahil Mahal Kita (Philippines)
4 p.m. :Manthan (India)
7 p.m. : Frida (Mexico)
9:30 p.m. :Anak (Philippines)
Nov. 29 (Tuesday)
1 p.m. :Tumaini (Tanzania)
4 p.m. :Baran (India)
7 p.m. :The Road Home (China)
9:30 p.m. :She Says : Women In News (U.S.A.)
Some 5 min. films shall be shown before selected feature films.
ADMISSION IS FREE (First come, First served)!!!
FILM DESCRIPTIONS
IRON JAWED ANGELS (2004, U.S.A.)
This HBO film recounts for a contemporary audience a key chapter in
U.S. history: in this case, the struggle of American women to win the
right to vote. Stars Hilary Swank, Julia Ormond and Angelica Huston.
Directed by Katja von Garnier.
SAY I DO (2002, CANADA/PHILIPPINES)
This revealing documentary, made for Canadian television, chronicles
the stories of three "mail-order brides" from the Philippines now
living in the remote towns of Canada. It also examines the dilemma
facing a Filipina considering the same fate. Directed by Arlene Ami.
YNANG-BAYAN: TO BE A WOMAN IS TO LIVE AT A TIME OF WAR (1991,
PHILIPPINES)
A documentary film by Nick Deocampo in collaboration with women
artists, focusing on the historical and political struggles of the
women’s movement in the Philippines at the time of martial law.
FIVE FEMINIST MINUTES (1990, CANADA)
A collection of 20 short, partly experimental, films by Canadian
women, which display an awareness of the feminism of social injustice
and everyday life.
A LITTLE COLOR (2002, SWITZERLAND)
Christelle is a hairdresser who runs away from her husband after a
violent quarrel. She encounters new friends and acquaintances, and
enters a journey of rediscovering herself. Directed by Patricia
Plattner.
PHIR MILENGE (2004, INDIA)
A Bollywood tale about Tamanna, a charming, 26-year-old woman, who
breathes fresh air into the lives of everyone she meets — until she
discovers that she is HIV-positive. Directed by Revathy.
ANG TANGING INA (2003, PHILIPPINES)
With 3 dead husbands and 12 children to take care of, Ina fights to
be both a provider and homemaker. Frustrated between staying out to
earn a living and staying in to take care of her children, she
desperately hides her hardships. Stars Ai-Ai de las Alas. Directed by
Wenn Deramas.
MINSA’Y ISANG GAMU-GAMO (1976, PHILIPPINES)
A lady nurse whose family resides near a US military base harbors an
American dream. She wants to live and work in the U.S.. With her
ambition, she ignores the gross injustices and abuses brought about
by the American military presence in the country. Stars Nora Aunor
and Jay Ilagan. Directed by Lupita Aquino–Kashiwahara.
BATA, BATA…PAANO KA GINAWA? (1998, PHILIPPINES)
Based on the award-winning novel of Lualhati Bautista, the film tells
the story of Lea Bustamante, a woman who chooses to live based on her
own principles and not upon the dictates of society. She is also a
mother of two from different fathers who faces the reality of losing
her children to the fathers. Stars Vilma Santos. Directed by Chito
Roño
TUMAINI (2005, TANZANIA)
This is a story of a child-woman – Tumaini – struggling to keep her
family together following the successive deaths of her father and
mother because of AIDS. Written and Directed by Beatrix Mugishagwe.
MORAL (1982, PHILIPPINES)
Moral is a landmark film not only because it tackles important
feminist issues relevant today, but because it stands as a testament
to the shifting sexual and social mores of a turbulent decade in
Philippine film history.
Stars Gina Alajar, Amy Austria, Sandy Andolong and Laurice Guillen.
Directed by Marilou Diaz-Abaya.
SHE SAYS : WOMEN IN NEWS (2001, U.S.A.)
This documentary captures the perspectives of ten women in positions
of power in the news business, and examines the unique personality
traits that make them voices for change. Directed by Barbara Rick.
TE DOY MIS OJOS (TAKE MY EYES, 2003, SPAIN)
One winter night, Pilar runs away from home. With her, she takes only
a few belongings and her son. Her husband soon sets out to look for
her. He says Pilar is his sunshine, but she fears he will return to
his violent ways. Directed by Iciar Bollain.
THE ROAD HOME (1999, CHINA)
A city businessman returns to his home village in North China for the
funeral of his father, the village teacher. He finds out for the
first time how his mother had admired and supported his father from
the time they first met. Zhang Ziyi. Directed by Zhang Yimou.
BARAN (2001, IRAN)
Set in Iran, it tells the story of an Afghani refugee father whose
injury threatens his family’s future, a child too weak to fill his
shoes, and a native Iranian son forced to trade places with an
immigrant. A Sidebar film directed by Majid Majidi.
DAHIL MAHAL KITA (1993, PHILIPPINES)
This drama chronicles the colorful life of Dolzura Cortez, the first
publicly recognized AIDS patient in the Philippines. Stars Vilma
Santos and Christopher de Leon. Directed by Laurice Guillen.
MANTHAN (THE CHURNING, 1976, INDIA)
A peasant woman spearheads a revolt at a milk co-operative when
corrupt local politicians and middlemen exploit the farmers. A
Sidebar film directed by Shyam Benegal.
FRIDA (2002, MEXICO)
Brilliant colors bring famous Mexican artist Frida Kahlo to vibrant
life in a biopic with a captivating performance by Salma Hayek.
Directed by Julie Taymor.
ANAK (2000, PHILIPPINES)
This is a thought-provoking drama about family and the various
effects of parental absence due to overseas employment. The film
examines the relationship of OFW parents and their children. Stars
Vilma Santos, Claudine Baretto and Joel Torre. Directed by Rory B.
Quintos.
EVERYBODY LOVES ALICE (2002, SWEDEN)
Alice is a twelve-year-old daughter who feels a number of different
emotions upon her parents’ separation. As she competes with his
mistress and her son for her father’s love, Alice finds that she is
surprisingly amenable to her new familial situation. Written and
directed by Richard Hobert.
Dear all,
In line with the celebration of the Centennial Year of the Feminist Movement in the Philippines, we would like to invite everyone to the Feminist Film Festival, which will be held at Cinema 3 Shang Cineplex, EDSA Shangrila. This will run from November 23 to 29, 2005. FREE ADMISSION!!!
The Feminist Film Festival is a celebration of films by women, about women; Films that are directed, or produced, or written by women. Films that have strong women as central characters; Films that raise gender issues, and reflect feminist perspectives and; Films that exemplify the Filipino Feminist Centennial theme “Celebrating the Past, Inspiring the Futureâ€.
Attached is the program schedule of films to be shown.
See you there!!!
Governance Unit
Also, the Department of Literature, DLSU-Taft will hold a homage National Artist for Literature top contender Cirilo F. Bautista on November 24, and that’s tomorrow.